From Bethany J Fellows.
Perhaps the least documented phase of Liza Minelli's career was 1982's month of April, in which she dove deeper into existential experimentation than even many of todays most shocking celebrity personalities. Much of that month was filled with a prolificness of art which combined deft skill of wearable needlework with a near genius catalog of subtle photographic self-portraiture with themes focused on 1950's era parlor games. The product of this fateful crossroading of styles is now evidenced only by this one photo, found behind the stove of her abandoned studio apartment, entitled "Two Getcha Three".
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